All RICCI, Sebastiano 's Paintings

The Painting Names Are Sorted From A to Z
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Choice	ID	Image	Painting (From A to Z)	Details
	20641		Allegory of France as Minerva or Wisdom Who Treads Ignorance Underfoot and Crowns Martial Virtue (mk05)	1718 Canvas 44 1/2 x 33 1/2''(113 x 85 cm)Reception Picture at the Academie Royale de Peinture et de Sculpture Transferred to the Louvre in the Revolution INV
	40528		Allegory of Tuscany	mk156 1706 Oil on canvas 90x70.5cm
	51991		Altar of St Gregory the Great	Oil on canvas
	8924		Bacchus and Ariadne	c. 1713 Oil on canvas, 189 x 104 cm Chiswick House, London
	43268		Bacchus and Ariadne	mk170 1700-1710 Oil on canvas 75.9x63.2cm
	8920		Bathsheba at the Bath	1720s Oil on canvas, 118,5 x 199 cm Museum of Fine Arts, Budapest
	8921		Bathsheba in her Bath	c. 1725 Oil on canvas, 111,8 x 144,3 cm Staatliche Museen, Berlin
	32577		Betsabea al Bagno	mk79 1720
	71450		Die angeklagte Susanna und der Prophet Daniel	Date 1725-1726 Medium Oil on canvas Dimensions 243 x 440 cm (95.67 x 173.23 in)
	8911		Dream of Aesculapius	c. 1710 Oil on canvas, 62 x 101 cm Gallerie dell'Accademia, Venice
	8914		Fall of Phaeton	1703-04 Oil on canvas Museo Civico, Belluno
	76739		Grabmal des Herzogs von Devonshire	Date 1725 Medium Oil on canvas Dimensions Deutsch: 217 ?? 138 cm cyf
	29983		Hercules at the Crossroads	mk67 Oil on canvas 25 9/16x15 3/16in Uffizi,
	28901		Jove and Semele	mk65 Oil on canvas 75 3/16x59 7/16in Uffizi
	8919		Moses Defending the Daughters of Jethro	1720s Oil on canvas, 114 x 178 cm Museum of Fine Arts, Budapest
	8913		Paul III Appointing His Son Pier Luigi to Duke of Piacenza and Parma dt	c. 1687 Oil on canvas Museo Civico, Palazzo Farnese, Piacenza
	51995		Prayer in the Garden	c. 1730 Oil on canvas, 95 x 76 cm
	32540		Recreation by our Gallery	mk79 1706-1707
	81703		Rusticus von Verona sowie ein Engel	1704 Medium Oil on canvas Dimensions Deutsch: 380 x 250 cm cyf
	8923		St Pius, St Thomas of Aquino and St Peter Martyr	1730-33 Oil on canvas, 343 x 169 cm S. Maria del Rosario (Gesuati), Venice
	8916		Susanna and the Elders	1713 Oil on canvas, 83,2 x 102,2 cm Collection of Lord Chatsworth, Chatsworth
	8922		The Adoration of the Magi	1726-30 Oil on canvas, 330,2 x 289,6 cm Royal Collection,
	63048		The Adoration of the Magi	1726-30 Oil on canvas, 330,2 x 289,6 cm Royal Collection, Windsor The artist's bold and colourful treatment of the theme (Saint Matthew 2:9-11) is a link in Venetian painting between Paolo Veronese and Giovanni Battista Tiepolo. The composition is derived in its essentials from the altarpiece painted by Veronese in 1573 for the church of San Silvestro, Venice (now in the National Gallery, London) and anticipates the altarpiece painted by Tiepolo in 1753 for the monastery of Schwarzach in Franconia (now in the Alte Pinakothek, Munich). All three works are large, but the composition by Tiepolo differs from the others, which are almost square in format, by being compressed into a vertical. The Adoration of the Magi was acquired by George III in 1762 from Consul Joseph Smith and formed part of a series of seven pictures of New Testament subjects. The related paintings are Christ and the Woman who Believed, Christ and the Woman of Samaria, The Magdalen anointing Christ's Feet (all still in the Royal Collection), The Pool of Bethesda and The Woman taken in Adultery (Ministry of Works, presently at Osterley House) and The Sermon on the Mount, which is lost. All these paintings, with the exception of the present work, illustrate scenes from Christ's ministry. The origin of the commission for this series of paintings is unknown. The size of the undertaking (the dimensions in each case are extremely large and there are fundamental changes in format) has caused the series to be associated with an unrecorded commission for the Royal House of Savoy in Turin, for whom Ricci worked during the 1720s. The painting demonstrates Sebastiano Ricc's role in the evolution of Rococo art in Venice, which reached its climax in the work of Tiepolo. The setting of The Adoration of the Magi is dramatic, the brushwork full of verve and panache and the colours bright. Several changes in the composition can be seen with the naked eye, especially in the centre. The artist travelled extensively in Italy and also worked in England from 1711/12 to 1716, returning home via France. He formed a partnership with his nephew, Marco (1676-1730), who, according to Gherardi, painted the architectural background to The Adoration of the Magi and the related pictures. Artist: RICCI, Sebastiano Painting Title: The Adoration of the Magi , 1701-1750 Painting Style: Italian , , religious
	51993		The Liberation of St Peter	1722 Oil on canvas
	8915		The Punishment of Cupid	1706-07 Oil on canvas Palazzo Marucelli-Fenzi, Florence
	8917		Venus and Adonis	1705-06 Oil on canvas, 70 x 40 cm Mus??e des Beaux-Arts, Orl??ans
	8918		Venus and Satyr sg	1720s Oil on canvas, 102 x 125,5 cm Museum of Fine Arts, Budapest
	45593		Victim at Vesta	mk186 1723 Dresden, Gemaldegalerie old masters

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